May 19, 2013 | 01:42 PM (BD Time)

19 May, 2013 Sunday

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Wordsworth : Poet of nature

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Robert Huntington Fletcher:
William Wordsworth was born in 1770 (7 April) in Cumberland, in the 'Lake Region,' which, with its bold and varied mountains as well as its group of charming lakes, is the most picturesque part of England proper. He had the benefit of all the available formal education, partly at home, partly at a 'grammar' school a few miles away, but his genius was formed chiefly by the influence of Nature, and, in a qualified degree, by that of the simple peasant people of the region. Already as a boy, though normal and active, he began to be sensitive to the Divine Power in Nature which in his mature years he was to express with deeper sympathy than any poet before him. Early left an orphan, at seventeen he was sent by his uncles to Cambridge University. Here also the things which most appealed to him were rather the new revelations of men and life than the formal studies, and indeed the torpid instruction of the time offered little to any thoughtful student. On leaving Cambridge he was uncertain as to his life-work. He said that he did not feel himself 'good enough' for the Church, he was not drawn toward law, and though he fancied that he had capacity for a military career, he felt that 'if he were ordered to the West Indies his talents would not save him from the yellow fever.' At first, therefore, he spent nearly a year in London in apparent idleness, an intensely interested though detached spectator of the city life, but more especially absorbed in his mystical consciousness of its underlying current of spiritual being. After this he crossed to France to learn the language. The Revolution was then (1792) in its early stages, and in his 'Prelude' Wordsworth has left the finest existing statement of the exultant anticipations of a new world of social justice which the movement aroused in himself and other young English liberals. When the Revolution past into the period of violent bloodshed he determined, with more enthusiasm than judgment, to put himself forward as a leader of the moderate Girondins. From the wholesale slaughter of this party a few months later he was saved through the stopping of his allowance by his more cautious uncles, which compelled him, after a year's absence, to return to England.
For several years longer Wordsworth lived uncertainly. When, soon after his return, England, in horror at the execution of the French king, joined the coalition of European powers against France, Wordsworth experienced a great shock--the first, he tells us, that his moral nature had ever suffered--at seeing his own country arrayed with corrupt despotisms against what seemed to him the cause of humanity. The complete degeneration of the Revolution into anarchy and tyranny further served to plunge him into a chaos of moral bewilderment, from which he was gradually rescued partly by renewed communion with Nature and partly by the influence of his sister Dorothy, a woman of the most sensitive nature but of strong character and admirable good sense. From this time for the rest of her life she continued to live with him, and by her unstinted and unselfish devotion contributed very largely to his poetic success. He had now begun to write poetry (though thus far rather stiffly and in the rimed couplet), and the receipt of a small legacy from a friend enabled him to devote his life to the art. Six or seven years later his resources were several times multiplied by an honourable act of the new Lord Lonsdale, who voluntarily repaid a sum of money owed by his predecessor to Wordsworth's father.
In 1795 Wordsworth and his sister moved from the Lake Region to Dorsetshire, at the other end of England, likewise a country of great natural beauty. Two years later came their change (of a few miles) to Alfoxden, the association with Coleridge, and 'Lyrical Ballads,' containing nineteen of Wordsworth's poems. After their winter in Germany the Wordsworths settled permanently in their native Lake Region, at first in 'Dove Cottage,' in the village of Grasmere. This simple little stone house, buried, like all the others in the Lake Region, in brilliant flowers, and opening from its second story onto the hillside garden where Wordsworth composed much of his greatest poetry, is now the annual center of pilgrimage for thousands of visitors, one of the chief literary shrines of England and the world. Here Wordsworth lived frugally for several years; then after intermediate changes he took up his final residence in a larger house, Rydal Mount, a few miles away. In 1802 he married Mary Hutchinson, who had been one of his childish schoolmates, a woman of a spirit as fine as that of his sister, whom she now joined without a thought of jealousy in a life of self-effacing devotion to the poet.
Wordsworth's poetic inspiration, less fickle than that of Coleridge, continued with little abatement for a dozen years; but about 1815, as he himself states in his fine but pathetic poem 'Composed upon an Evening of Extraordinary Splendour,' it for the most part abandoned him. He continued, however, to produce a great deal of verse, most of which his admirers would much prefer to have had unwritten. The plain Anglo-Saxon yeoman strain which was really the basis of his nature now asserted itself in the growing conservatism of ideas which marked the last forty years of his life. His early love of simplicity hardened into a rigid opposition not only to the materialistic modern industrial system but to all change--the Reform Bill, the reform of education, and in general all progressive political and social movements. It was on this abandonment of his early liberal principles that Browning based his spirited lyric 'The Lost Leader.'
During the first half or more of his mature life, until long after he had ceased to be a significant creative force, Wordsworth's poetry, for reasons which will shortly appear, had been met chiefly with ridicule or indifference, and he had been obliged to wait in patience while the slighter work first of Scott and then of Byron took the public by storm. Little by little, however, he came to his own, and by about 1830 he enjoyed with discerning readers that enthusiastic appreciation of which he is certain for all the future. The crowning mark of recognition came in 1843 when on the death of his friend Southey he was made Poet Laureate. The honour, however, had been so long delayed that it was largely barren. Ten years earlier his life had been darkened by the mental decay of his sister and the death of Coleridge; and other personal sorrows now came upon him. He died in 1850 at the age of eighty.
Wordsworth, as we have said, is the chief representative of some (especially one) of the most important principles in the Romantic Movement; but he is far more than a member of any movement; through his supreme poetic expression of some of the greatest spiritual ideals he belongs among the five or six greatest English poets. First, he is the profoundest interpreter of Nature in all poetry. His feeling for Nature has two aspects. He is keenly sensitive, and in a more delicately discriminating way than any of his predecessors, to all the external beauty and glory of Nature, especially inanimate Nature--of mountains, woods and fields, streams and flowers, in all their infinitely varied aspects. A wonderfully joyous and intimate sympathy with them is one of his controlling impulses. But his feeling goes beyond the mere physical and emotional delight of Chaucer and the Elizabethans; for him Nature is a direct manifestation of the Divine Power, which seems to him to be everywhere immanent in her; and communion with her, the communion into which he enters as he walks and meditates among the mountains and moors, is to him communion with God. He is literally in earnest even in his repeated assertion that from observation of Nature man may learn (doubtless by the proper attuning of his spir